Wednesday, 31 December 2008

A special moment in 2008




Here's a little surprise we cooked up during our Album Launch last October 25, 2008. Keep watching, keep watching :D That's Zig singing the last "call I'll never get."

Thanks to Youtube user blackendgray for recording this special moment. Happy new year, Shirley friends!

- Selena

Monday, 29 December 2008

Best of local music in 2008

and our debut album "Themesongs" is on the list! :)

SHIRLEY MANILA TIMES ARTICLE

"2. Themesongs by Ang Bandang Shirley and Bring Your Friends by Ciudad —Geeks do cry and when they do, they do it so eloquently that they can express their sentiments in a 3 to 4 minute song in a way you can relate to the best blog you’ve ever read."

thanks Cris O. Ramos Jr! :)

Saturday, 27 December 2008

of new year, last year and my phone got stolen

Hi guys! this is Kathy :) Belated merry christmas! and advance new year to everyone!

Thank you for supporting us the whole year (if anyone in here watched us yesterday at SM Southmall hehe thank you din!). Ang crazy ng 2008 for us -- yung endo the movie blessings, yung sa madaling salita music video, yung cd production hell and back, yung finally pagkarelease ng album!!!, yung themesong music video, yung scary debut album launch, yung crazy kart project, yung mga magazine, newpaper at internet articles, yung broken social scene and death cab for cutie live in singapore haha, yung plus/minus at versus live in manila!!! haha, yung mga mall shows, yung weddings and debut gigs, yung nakatugtog kami sa subic sa baguio sa batangas, yung mei days, yung QLE awards, yung heartbreaks haha, yung mga technical and mature stuff we had to deal with haha, at yung ang dami naming nakilalang mga bagong tao hi sa inyong lahat!

Next year abangan nyo! new shirley stuff! (sobra kaming excited) bwahaha so stay tuned ;p

btw i lost my phone last night in SM Southmall, so any Ang Bandang Shirley related gig inquiries thru mobile phone right now is incommunicado :( For now PM us here or email us at no1fan@gmail.com for gigs or whatnots.

Sana yun nagnakaw nun phone ko ano hehe happy new year na lang i hate you! masamang damo'y mamatay! aaaahhh aaarrgghhh

love, Kathy

Wednesday, 17 December 2008

ang bandang shirley on SOUNDTRIP!

many thanks to lawrence and the other very cool people at inquirer.net for having us on their webcast show called soundtrip!

http://www.inquirer.net/vdo/player.php?vid=2052

see how awkward it is to sing in front of a camera without a mic haha. happy holidays!

-owel


Sunday, 7 December 2008

QLE Awards Night

Start:     Dec 10, '08 6:00p
Location:     Route 196, Katipunan Ave, QC
come on lets join us!

chatting is good

Hello! shirley friends and curious ones, na may usually boring na hapon sa work o kaya walang pasok o kaya meron pero somewhere with internet connection pati friends from abroad! haha...

CHAT TAYO THIS WEDNESDAY, DECEMBER 10! MAY LIVE CHAT KAMI SA YEHEY.COM! FROM 3-5PM

PUNTA KAYO DITO: http://www.yehey.com/chat/

Makipagkulitan or manghingi ng advice or magtanong ng personal questions haha. Masaya to! Witty kami most especially when spontaneous haha. Please chat nyo kami haha we're afraid of empty chatrooms :s

huwag matulog ng busog,
Kathy

Thursday, 4 December 2008

chocnut tayo sa labas

People are amazed that I don't smoke because I play in a band and I have a lot of friends who smoke. I don't hate smokers. I just hate the second hand smoke (good thing there is vitamin C). And I also believe smoking has sparked a lot of good friendships specially in areas where smoking is prohibited. Smokers gather in groups like outcasts and talk and bond and kiss, etc. Eating, on the other hand, is another great bonding activity but it is not usually done with strangers. Sometimes drinking (alcohol) can be done with people you don't know, but most of the time we only drink with our friends.

So what do I do when I'm jealous of friends who bond when they smoke? ---> I smoke chocnut with them.


Chocnut is small and very affordable and will not hurt your lungs and other people's lungs. It costs only P1.50 per stick. It is as cheap as an ordinary stick of cigarette. It is very sweet and tastes like chocolate and peanuts (hence the name chocnut). It's very easy to bring anywhere. The only problem I think with eating chocnut with smoking friends is, Chocnut is easier to consume. You would probably have eaten 3 Chocnuts already before your friend finishes 1 cigarette.

me smoking chocnut in baguio

-ean

Thursday, 27 November 2008

Shirley Scary Debut Videos

sobrang salamat kay charles para sa mga vids na to galing sa aming debut halloween party nung october 25 sa cubaoX. mabuhay ka charles at enjoy the videos! :) [sasamahan ka pa rin, masamang damo, theme song, tsuper duper]

=jing=


Wednesday, 26 November 2008

ang bandang shirley hits baguio city




ang bandang shirley was graciously given the chance to play in the city of pines with paramita for SM Baguio and Pizza Hut's 5th anniversary last november 22, 2008. our very own joe "anak ng baguio" fontanilla welcomed us into his home, where his mom had lovingly prepared us a sumptuous lunch.

at the gig, we got to meet some plucky shirley fans who've been trying to help spread the word about us in baguio (we love you guys), and we gratefully signed their cds and took pictures with them. it's too bad we forgot to take our own photos with you guys! thanks for approaching us :)

owel and jing had to go home that same night, but the rest of us crashed at heidi's cabin in camp john hay and stayed for the next two days. we raided O Mai Khan and Vizco's (awww must-eat restaurants), plus did some sidetrips to the ukay and Burnham Park.

WE MISSED YOU KATHY! *HUG*

many thanks to mei bastes, our trusty road manager for the trip :) thanks to terno recordings for getting us the gig. thanks to tita cora fontanilla and ean's tito and tita from good news academy for the warm welcome.

WE'LL BE BACK!

photos from heidi's and selena's cams

Sunday, 23 November 2008

themesongs track 9

"Ang Pag-Ibig Alinsunod Sa Karanasan Ng Isang Pangkaraniwang Jeepney Driver A.K.A. Tsuper Duper"

this is probably the hardest song to write about: it was the first-born, the earliest song written for the band before the band ever took shape. and this first-born isn't a baby anymore, tsuper is a hyperactive 6 year old that knows how to read and asks you all these questions about self explanatory things ("but why?") haha.

sometimes i listen to this song and i feel like i've heard it TOO MUCH, there are a gazillion versions of this song (three lo-fi with love demo versions, an ean 8-track version that never saw the light of day, the rizal day session, and then the album version) and it has made appearances in scenes from ang pagdadalaga ni maximo oliveros, tv promos, songwriting competitions (haha) and assorted high school and college plays. i hate this song sometimes.

last night good friend and distant cousin to lourd (haha) ramon de veyra messaged me on ym, saying "u know what for someone who detests pop I actualy really enjoyed them," and i'm all "what do u mean lol" and he's all "[that's] my friend, after i sent 3 songs from your album hahahaha" and i'm all happy, thinking "yay my band is so cool" haha and then he continues, pasting another direct quote: "parang theyre not trying hard to be anything eh, i like the tsuper song the most"

and then i'm all wow, and then ok, and then fine, and then i decide to write this post about the song that started it all and i remember the time that i used to play the bassline (now the synth part) of this song between songs back when i used to play with paramita (haha old school) and norman and ria would laugh and it would be some carribean-flavored jam, then we'd stop. but i wanted to take it further and i thought it should be in tagalog, and it should be a love song, and "i dunno i wanna fall in love" haha. i was a kid.

anyway i ride this jeep, i sit in front near the driver, but between me and the driver there was another passenger, a pretty girl and she was paying her fare and the driver goes "hinde miss, sagot ko na pamasahe mo" and i'm all "omg basta driver sweet lover" and then the song writes itself and then the old cautionary tale of being careful for what you wish for happens, and the song has taken over my brain. i hate singing it cause after the song finishes my brain is still singing it and i've listened to a lot of stuff between the writing of tsuper and today, and tsuper feels amateur (hindi sya avant garde haha) and fun and it reminds me of being a kid and riding that jeep. i remember the rizal day session recording for this, me and mark v. at tracks 4am, both of us super sleepy and i'm closing my eyes playing the synth parts and while recording mark apparently has this supernatural encounter (he tells me on the drive home: "naramdaman mo ba yun?" and i'm all: "zzz") and then he dubs the song TSUPER DUPER, making this visual rhyme very difficult to say haha.

i guess the point is, if it weren't for this song, the band wouldn't be here. so yay. haha. watch out for the release of the joe fontanilla version of this song very soon. haha.

-owel

Saturday, 22 November 2008

of baguio, owel, sarah g. & cosmo chicks, QLE awards and rico blanco

Hi! It's Kathy and am home on a saturday night and so i write hehe

5 Things:

1. Re SM Baguio: i wasn't able to go with the band (thank you Mei for helping out! we love you!) but according to Joe, there were lots of you who came and watched so THANK you guys!

2. Today is Owel's birthday! Happy Birthday, a! haha.

3. Ang Bandang Shirley "Themesongs" sighting inside Cosmopolitan November 2008 issue with Sarah Geronimo on the cover (haha oo bumibili ako nun minsan haha):

Get Lost In A Song. Don't you just love songs that give you the freedom to feel? When you can pin your emotions on a melody, the resulting comfort is remarkable. The debut album of Ang Bandang Shirley is aptly titled Themesongs. Their tunes can match a melancholic Cosmo chick's typical sentiments, like dreaming of true love ("Kagabi Nanaginip si Morrissey Na May Nagmamahal Sa Kanya"), being stupidly smitten ("Sasamahan Ka Pa Rin"), and evn dreading the upcoming cold, lonely Christmas ("Xmas Lights")

4. Ang Bandang Shirley is Best New Artist and "Themesongs" is Best Album Cover...at the QLE Awards that is! (Thank you Mr. Luis Katigbak! we are very honored )

The QLE Awards

By Quark Henares
Philippine Daily Inquirer

HERE come the cranky old men, sourgraping about how the under-appreciated geniuses of our time aren’t paid any attention.

You know what I’m talking about—people who blog about how blablabla should’ve won and how blearghiebleargh got the nom simply because they ladidad. But let’s face it—awards based on numbers aren’t exactly the most reliable ones; and I know for a fact that 90 percent of text votes for a certain band in this year’s Rock Awards came from only two cell phone numbers.

It just so happened that during one party Erwin Romulo, Luis Katigbak and I were sitting around and pointing out people who were really talented yet never seemed to get any loving from the RA. In other words, we were old man sourgraping. We decided to do something about it, and agreed to collectively write small tributes to our favorites this year.

Hence, the QLE Awards.

Before I begin, I’d just like to clarify that I love the NU Rock Awards. I’ve even written two and directed one. But controversy is always great, so why not use that to highlight and point towards some of the artists who have truly touched us this year?

Best new artist

[Erwin] Intolerant AND Loss Of Control
Just because they’re metal and they don’t give a f**k.

[Luis] Ang Bandang Shirley

They’re not rock gods or avant-garde experimentalists—they’re the people that you meet, when you’re walking down the street, each day. Except that they have an enormous talent for impeccable pop tunes and quirky-heartfelt lyrics. And enormous appetites as well.

[Quark] Taken by Cars

A lot of people accuse Taken by Cars of ripping Bloc Party off. I say they’re better than Bloc Party. “Endings of A New Kind” is the kind of debut that feels like it was made after years of meshing and collaborating as artists, and individually the instrumentalists have that perfect balance of standing out yet sounding completely organic.

Album covers

[Erwin] Up Dharma Down - Bipolar
Not as genuinely complex and dazzling as the band’s music contained within, but it sure does a neat job of inviting us into it.

[Luis] Ang Bandang Shirley - Themesongs
C’mon. That Pepper Roxas cover is all sorts of adorable.

[Quark] Up Dharma Down - Bipolar

....

P.S. It should also be noted that some of our choices, including Ang Bandang Shirley and Up Dharma Down, were not eligible for the Rock Awards this year.


5. I love you Rico Blanco! haha. ang random.

love, Kathy

Monday, 17 November 2008

when the large band becomes less large

i'm sure you've always wondered why there are eight of us in ang bandang shirley, and some of you may have come across the explanation that we'd like to play at gigs even with one or two less band members present and be able to maintain our sound. throughout our stint together, we've had various experiences with shirley permutations. some of them worked, some of them were enough for a certain gig's purposes, and quite a few of them were failed experiments in bravado that just ended in us retreating to our band corner in shame. these attempts have been necessary since our members' lifestyles are so varied, and thus we have different resources to draw from for shirley commitment: jing, kathy and zig have respectable office day jobs, heidi owns her own company, ean and owel are/were/etc.(?) in school, joe is "on sabbatical", and i'm leveraging my personal talents to scrape away a living as an editing whore. eventually, there's going to be a scheduling disaster somewhere along the way.

so we've been trying to figure out ways to make do. there were times when kathy and i would talk of never again accepting an owel-less gig because the boy-girl harmonies have become such an important element in the shirley sound. i believe, though, that we're finally getting into a stripped-down groove when it comes to playing with less members. owel can always sing without me because he wrote the first few songs with just his own voice in mind, and those Rizal Day Session versions were quite lovely, too. joe and ean are starting to own the "boy" parts when they're absolutely necessary, and hey, OH YEAH, we have ean and jing songs, too, that we can play live to serve as a rare treat for our lucky audience. haha.

shirley stripped has never been more severely tested than at our last two gigs. we were supposed to play at terno inferno with an already-pared-down lineup of me, ean, joe, zig and jing because owel and heidi had family matters to attend to. imagine our panic when jing called us up to say he had to cancel because of an emergency. but for some reason, the other boys said, "let's go," so we pushed through with the set with just zig on drums, ean on bass, joe on guitar and me on vox. it was very unnerving because we hadn't practiced some of the songs, but saguijo's patrons were kind to us, and some even bought our albums, which terno was selling outside, after our set. YAY. kathy was so proud of our professionalism, and i think we all felt elated by the fact that we pulled it off and had fun in the process.

also, for the very first time in history, that night's entire shirley entourage fit into zig's tiny little sedan on our way home. INTENSE!!!

the most recent shirley stripped set was held at last night's happy mondays event at mag:net katipunan. jing was part of the poetry reading segment of the program, performing a bass solo to his poem and future-shirley-song "pulso". after that, we set up onstage with just owel, me, ean on guitar and jing on bass. heidi and kathy were there that night, too, but only for moral support (which we greatly appreciated, of course). because we hadn't been able to practice our songs with that setup, we had to do on-the-spot rearrangements that resulted in fun, distorted, quirky versions that made us laugh onstage. however, mag:net denizens seemed impressed with and appreciative of our earnestness, so the set was a success.

anyway... ang galing ng mga kabanda ko! hahaha. i LOVE them. that's not to say that we can always play with less members, nor that we've got the stripped setup down pat already. many factors come into play when we accept or decline gigs. but i promise that the desire to play is always there, and i'm just happy that at least for some gigs, becoming a less-large band isn't that much of a hindrance anymore.

- selena

Tuesday, 11 November 2008

THEMESONGS album review - Manila Times

dear shirley friends,

album review on the manila times! :) please do check it out! :D

THEMESONGS album review - Manila Times

 

Tuesday, November 11, 2008

 

ALBUM REVIEW

Giving you your very own theme song

By Angelique P. Manalad, Contributor
 
Giving you a musical journey that is distinctively Pinoy, Ang Bandang Shirley guarantees everyone who’ll listen will definitely love their music without any exaggeration as they give their first installment Themesongs.

Influenced by local bands and other artists they describe their music as that of Broken Social Scene if they listened to the Eraserheads, a happier Jeff Buckley with Dong Abay’s street smarts, Sugarfree’s heart inside the baby of Radiohead and Feist. But they were able to imbibe their own flavor making it uniquely their own.

Owel Alvero, Selena Salang, Ean Aguila, Joe Fontanilla, Jing Gaddi, Heidi Pascual, Zig Rabara and Kathy Gener makes up the band with Alvero being the chief lyricist together with Gaddi and Aguila. Composed of 11 tracks sure to give you a dose of feel-good vibe, the eight-member band opens the album with the infectious “Kagabi Natulog Si Morrisey Na May Nagmamahal Sa Kanya.” It talks about a common dream for all the loveless out there, making you feel that Morrisey is your real name.

Even the not-so-happy song “Masamang Damo” is delivered in an up-beat manner that will surely make you keep your cool even faced with that person you both hate and love. Bringing that Oh-so-OPM feel are their tracks such as “Patintero/Habulan/Larong Kalye” which transports everyone back to those afternoons playing in the streets with that kababata you secretly had a crush on. “Ang Pag-Ibig Alinsunod Sa Karanasan Ng Isang Pangkaraniwang Jeepney Driver A.K.A Tsuper Duper” is a catchy song where you’ll find yourself singing along with that repetitive line, “Basta driver sweet lover yeah,” there’s definitely a song for everyone.

”Maari ba kitang makasayaw? O di kaya kahit upo lang muna tayo habang inaantay yung ating magiging themesong?”—lines from the title track “Themesong” makes you reminisce that awkward moment of the most awaited night of JS prom or other dances that you’ve been to. Summing up the emotions of uncertainty and the beauty of young innocent love was captured by Alvero.

The comic “Sasamahan Ka Pa Rin” describes the foolish side of love that most people are guiltily of. Most of us experienced those cold Yuletide seasons that Bandang Shirley sympathize with their song “Xmas lights” to expertly describe that longing feeling during those twinkly nights of December.

“Sa Madaling Salita” which was used as the soundtrack of the independent film Endo, a love song that’ll make you swoon with the sincerity overload with the vocal arrangement given by the band. Salang and Alvero were able to blend the contrast of their voices resulting to that harmonious end that love can definitely bring.

“Bato” is a song that talks of that last moment where the clock is ticking towards the end of the relationship making it the perfect selection as the parting track of the album.

Themesongs is made for every Filipino out there who has experienced the joys and sorrows of love, a must-have for anyone searching for that perfect theme song to accompany you at that certain moment of luck or mishap in the game of love.


Monday, 10 November 2008

One Day You'll Be There, Ean




+/- {Plus/Minus} live in Manila! is all about family too haha. Here, Ean plays guitar with his uncles haha

>>Kathy

Jealous of Selena




Versus (indie rock gods aaahhh) played in Manila last week with the equally god-like +/- {Plus/Minus} haha and "the" Richard Baluyot asked our very own Selena to back him up during "Jealous" (i've always thought Selena sounded like Fontaine Toups haha)

We're all jealous of her like a good american haha ;p

Please forgive the epal singing-a-long. haha. I can't help it.

>>Kathy

Saturday, 8 November 2008

plus/minus


ean playing guitar with his uncle james (and uncle richard behind him haha) for +/- (plus/minus) on one day you'll be there. congrats ean!

(pic from nicole sarmiento, grabbed from facebook hehe :D )

-owel

versus

hi guys! long time no post, i've been sick and the band's been busy. i just wanted to share this pic of last night's performance with you. way to go selena! (pic by joey alvero)

-owel


Friday, 31 October 2008

Ava's Scary Shirley Debut Pics :)

here's ava's second crack at live gig photography :) just follow this link: SHIRLEY SCARY DEBUT PICS




a bit of shirley nostalgia [april 17, 2007]

here's an owel-less and zigless shirley giving tribute to the best band that ever sported bowl haircuts -- The Ramones!!!!! ramones songs include "baby i love you", "judy is a punk", and "poison heart". kudos to mikey of ciudad for lending his precise primitive pounding, and to kathyg for getting it all on video :D finally at the end, owel joins us for tsuper duper :)


Monday, 27 October 2008

Scary Debut 10-25-08




From Ang Bandang Shirley, SOBRANG SALAMAT! THANK YOU! sa lahat ng nagpunta sa party lalo na sa mga naka-costume ang effort! haha We love you all! (naging best in costume yun Spy vs Spy couple haha) sa mga nagtext at nakaalala! sa mga tumulong!!! sa Level Up! Crazy Kart, GSM Blue, Coke, Kolektib & Bong Rojales, Cubao Expo & Ms. Annie, Loudhouse Soundsystem & Sir Stephen, Sir Toti/Francis/Terno Recordings, sa MP3 crew!, sa MTV crew!, again kay Ekong Caruncho tsaka kay Bok (sa last minute tarp drawing) tsaka kay Betty La Joanne hehe.

love, Kathy

Thursday, 23 October 2008

why you should get an ang bandang shirley album!

our good friend jaton zulueta who's in new york right now because it's a lot cooler to be a struggling writer in new york than a struggling writer in the philippines (haha i love you jaton sorry about this picture) is making up for his inability to attend saturday's party with an incredible post about running around central park and loving fried food and getting onto TFC, with the incredibly compelling title "why you should get an ang bandang shirley album" haha.

read it here!

Wednesday, 22 October 2008

ANG BANDANG SHIRLEY'S SCARY DEBUT & FANS' DAY! (w/ revised poster haha)

Start:     Oct 25, '08 7:00p
End:     Oct 26, '08
Location:     Kolektib, Cubao Expo, QC


JOIN ANG BANDANG SHIRLEY IN A VERY FUN PRE-HALLOWEEN COSTUME PARTY!

FEATURING PERFORMANCES BY

TWIN LOBSTER!
HALIK NI GRINGO!
THE RADIOACTIVE SAGO PROJECT!
AND ANG BANDANG SHIRLEY!

with DJ SETS by TOTI DALMACION and MARIO SERRANO of GROOVE NATION

fun and games!
ALBUMS, BAND MERCHANDISE AND MISCELLANEOUS THINGS FOR SALE!

AND THE PREMIERE SCREENING OF:
"DEBUT" (THE ANG BANDANG SHIRLEY VIDEO DIARY!)

OPEN BAR IF YOU'RE IN A COSTUME!!! (costume validity will be judged, so dress up seriously!)

KOLEKTIB, CUBAO X!
OCTOBER 25, 7PM!

SPECIAL THANKS TO: LEVEL UP! CRAZY KART, GSM BLUE, KOLEKTIB AND EKONG CARUNCHO (for our super astig poster!)

*GUYS! PA-REPOST! SPREAD THE LOVE! :)

themesongs track 8

"Di Ko Ma-take"

I wrote this around late 2004 or early 2005, a time when i wasn't really part of any band where i took part in the songwriting process. I worte a couple of songs for Narda then -- "Saan Na?" and "Kometa Astrolabe" -- but that's as far as it went. Maybe I wrote this song in the hopes that I would perform it with a band of my own. Some friends have asked me to form bands with them, but none such bands ever materialized -- until ABS, that is. When I joined the shirleyfold after inadvertently laying bass tracks during the Rizal Day Sessions, this song had already written itself. It was just waiting to be jammed and nailed down.

It may seem a bit tangential, but DKM's main riff i ripped from "Sunshine Barato" by The Mosquitos. I had just discovered them that time and was practically drooling over their music which in Timi Potenciano's words sounded like "astrud gilberto and belle&sebastian put together". The main G-Gm riffing stemmed from the fact that the guitar I was using at that time had a broken D-string. Thus, I was stuck to playing power chords on the E & A strings. This proved quite helpful as I was able to experiment with different chordal voicings with just two strings.

I rarely wrote songs about frustration so I thought then that this would be perfect time to start hahaha. The frustration in DKM stemmed from a whole host of stuff. Although I suppose it started with GMA's SONA about the "bangkang papel". However, I didn't want to pin it down on just that. So, I kinda gathered up all my frustrations, sifted through them, and selected choice parts so as to project a feeling of general frustration not particularly directed at anything or anyone.

As for the chorus, I was being challenged that time by former Tungaw-mate Mark Villena (If Owel had a songwiriting soundboard with Ean, Mark was my Ean then as we had been bandmates before in Tungaw) to write a song with what he called a "real chorus". He claimed that I was being "madaya" because the choruses of my past songs weren't really choruses in the strict sense of the word. He said they were more like verses set to different chord progressions. So I put up to his challenge. When I played DKM for him one time we were throwing songs at each other, his resounding comment was "Now that's a chorus!".

Another source of inspiration for DKM is Dong Abay and his knack for the catchy chorus. I had known Dong since our Tungaw days when we first fronted for them at Club Dredd EDSA waaaaaay back February 1994, when Dredd had just reopened. When Dong resurfaced in the music scene in 2005, Mark and I were playing in an early incarnation of dongabay, Dong's comeback band. I guess my playing for Dong also rubbed into my songwriting process.

Recording the song was quite an engaging experince as well. I remember Owel telling me that I was to play all guitar and bass parts since it needed an 80s Violent Femmes kinda feel. So after nailing my bassline, which I ensured was simple enough to let me sing simultaneously, I went on to lay down the guitars using Joey LOA's pearl white Epiphone SG with three pickups, which has a nice warm growling tone. For the guitar solo, it's actually comprised of 2 parts -- the "rhythm" solo (as I'd like to call it) where I played a melody using octaves, and the high-pitched "lead" solo where we slightly detuned the strings as to produce an eerie desifinado (off-key) feel. Then the song was superbly topped with the spooky keyboards which greatly added to DKM's overall quirkiness.

=jing=

Tuesday, 21 October 2008

themesongs track 7

"sa madaling salita"

a less is more approach to words, with the simple G-C verse and the Em-D chorus, then the G-C-Am-C outro. i guess this song is a high point in my songwriting efforts, reactionary output to early comments to my work haha. the story goes like this..

vin dancel of twisted halo and now peryodiko is a great person, and when i was the excited little kid who first got to go watch gigs, twisted halo was one band that stood out, what with that intense drumming on brad, and the mindblowing outro part of hiram, and MAN THEY HAD THREE GUITARS and i was really amazed when vin went up to me after seeing deltajoy play and telling me that i could play bass well haha. then i auditioned to play bass for twisted halo (remember that day ean? hahaha memories) but then they picked some better guy (buddy zabala!!!) haha. and even though we really didn't become bandmates there was this sort of distant mentorship going on between me and manong vin, sort of, kind of. haha. i remember this gig at millenia and he was there and i was there and i was just telling him about how my studies were going (bad) and he was all finish that shit and i was all wow and anyway, when i gave him a copy of the rizal day sessions ep, he said it was good stuff, but it needed something anthemic.

so i went and thought wtf man these are anthemic but then i thought about things and i wrote sa madaling salita, exploring the duality of crippling love and incredible uplifting love in my brain, and realizing that there was no way to put it other than just really saying those words in the song and then that freed me up, anthemically speaking. the riff was a fun thing to play, and it's me studying a wolf parade song and magnificently failing, landing on some other totally different beautiful thing, and the chorus part where joe's guitar is all chicosci on top of everything, and man this song really wrote itself. i remember the practice when we were arranging this, and it was a pretty good time for shirley, getting things in place really fast.

zig's drumming (a lift from dcfc with minor revision haha) and the BASS + SYNTH W/ WHITE NOISE AND EBOW bridge part is what i think makes this anthemic, the outro just riding in like a cowboy and then the song ends with the same killer "chorus" riff except it's slow and jing's harmonizing on bass and that was perfect which was why recording this thing was such a bitch, cause it had to sound really good, and honestly the recording still doesn't sound as good as the song sounds in my head but that's okay cause we got it out. i remember doing the main guitar part and just being totally frustrated, breaking down in the middle of some takes saying "DISBAND NA TAYO GUYS DISBAND" and joe and ean and joey santos just reassuring me hahaha that was fun.

then endo came along and man endo that's a whole different story, crippling uplifting love and if you guys haven't seen it you gotta see it, and if you feel like it changed you afterwards then you're my kind of person, and if you haven't, then you gotta live a bit more i guess? that movie really killed me, i remember reading the script and crying in my room (the early drafts were a lot more hardcore emo haha) and well sa madaling salita just snowballed in meaning

cause i had this meaning X for the song, which is really hidden deep inside, and then since it's so simple and then because of endo meanings Y and Z and A-W also add up and then it's such a meaningful song because it's just about a feeling and therefore you can attach that to whatever makes you feel that feeling so the range of possible meaning only depends on the person listening so everybody can sing along to this and feel like the song is about something about them and i guess that was what vin was talking about when he was saying it was anthemic.

tayong dalawa ay dakila/alila

hehe

-owel

ang bandang shirley: where dreams come true

hi guys! remember this article that came out on supreme? where me and the guys had our influences and shoutouts broadcast? well funny things happen!

kathy wrote in "john lloyd cruz" as an influence and even threw in a (hi) so when i met up with my good friend JLC as i call him (haha) i showed him the copy of the article, and well, dreams come true!



(hope to meet you, kathy)




JLC with his copy of themesongs! get a copy now!

-owel

Sunday, 19 October 2008

Ang Bandang Shirley's Debut Trailer 2




theme songs track 6

"sasamahan ka pa rin"

the song opens with a very hetfield-ian RATATAHH, harkening back to that saguijo METALLICA tribute gig, where shirley did a weird set, haha playing our originals, back to back with a sick cover of FOR WHOM THE BELL TOLLS, sung by jing, and since joe and ean were both absent, i was playing guitar, and manix of gorgoro was subbing for the extra Em droning noises haha (we weren't able to practice with him, but it was still awesome) that was a great gig. and if memory serves me right, that was one of the last few gigs of HOPSCOTCH, where most of the loa engineers are from. hehe. anyway, back to the hetfield shouts, which i think provide that contrast between track 5 + track 6, cause they sort of flow into each other, and both sort of tackle the same idea, but you know how they're different too. Ean's song on the album (not counting our co-write on bato) is this amazing track, especially after the rhythm section did their thing, putting a very dark beatle shuffle into the thing. then the horns!!!

that was a very eye opening recording session, being at loa with the sago horns, finding out how brass really really really makes a difference to a song. sasamahan is probably just the beginning, expect more horny tracks from shirley haha. the supposed "fadeout" outro where everybody still played to an "ending" also worked, since it allowed the horns to pull off that great jam at the end, and letting jing do his talking head-y guitar riff. and the drawbar synth heidi has also shines on this track, and haha i dunno there's a lot to say and it's all circumstantial really, if you like this kind of stuff that i'm typing then it's great, but if you watch debut you'll see video of ean and me and kathy and joey and marc and wacky and that very controversial yeag-vah section of this song and that's all you need i think, haha.

track 7-11 writeups coming this week, tapos na yung album notes before the launch haha

-owel

themesongs track 5

"together forevers"

most noteworthy is the amazing snare sound that joey santos gets on this song, the release/decay of that 80's hit is really what makes the song! also, forevers is the selena solo track for this album, and the first of many selena oriented songs. the owel-sung demo version released on the today is tshirt day comp was a take-off point, but where that was a stalker-ish "sigurista" lovesong, this is an out and out guarantee of sorts. and and the outro, where selena and the synth duet into this papapa-fest is this suprise that came about while we were recording. the live version of forevers used to include a "time after time" outro, where we'd sing time after time haha. but the album version couldn't include that, of course, so we had to figure out something, and then amazing amazing amazing selena just pulls out of her indie-pop hat this papapa phrasing and papapa melody and then we were all "do that on the synth!" and then that ending comes out and then we were trying to mix it and then during the final mix of that joey has this miscue where only a few tracks were faded out and then what happened was a gradual fade, leaving selena's voice and the guitar chord, and then that was another OMG moment.

i remember the time when after recording most of the basic tracks for forevers, me and joey santos really considered it the least like-able of the shirley tracks so far, so we kept on figuring out ways to re-do it, but then the gang vocal recording day came along and i guess what we just needed were the "barkada" shouts and the voices of the whole band + melvene (sobrang lamig ng boses ni melvene!) on the sing-along chorus. also featuring the keys (as in susi) in tribute to a song on the rivermaya green album (plus points for whoever figures that out hehe)

i love you ang bandang shirley! see you at our fans' day and debut premiere!

-owel

Friday, 17 October 2008

Wednesday, 15 October 2008

Masters in Shirley

tinext ako kagabi ng kaibigan kong nagtuturo sa filipino department sa UP Diliman:

"Nagpresent nga pala ako ng thesis kanina at pasado naman. At ang ginawa ko lang bilang paghahanda nung umaga e makinig ng cd nyo... yun na, pumasa na dahil dun. Imbes na "driver," ginawa kong "basta writer, sweet lover!"

sagot ko naman:

"Whoaah! Asteeg! Congrats sa thesis presentation mo!"

follow-up question ko naman:

"Btw, ano yung thesis mo, for Masters or PhD?"

sagot naman niya:

"MA pa lang. Dun sa next album na yung doktorado"

=====================

kaya't kung nais magtagumpay sa inyong thesis, halina't makinig ng Themesongs! :D

=jing=

Monday, 13 October 2008

The Manila Times: Ang Bandang Shirley

Great article on Ang Bandang Shirley by Cris Ramos of Revolver fame. More required reading. May quiz sa October 25.

Read the article here.

Friday, 10 October 2008

click the city listens to ang bandang shirley!

many many thanks to the very tall marian hernandez for the kind words and the needed exposure!

ang bandang shirley loves you! andami nating memories! (see picture, feat raya hehe)


required reading begins here hehe



-owel

Thursday, 9 October 2008

themesongs track 4

"theme song"

the track opens with a very frustrated zig drumming the ending of the song and then making a mistake and throwing his sticks angrily hahaha. see, themesongs was made differently from most albums (im guessing normal bands use metronomes hehe) because we didn't use any metronomes for the album, all the drums were recorded from zig's memory. honestly that was an amazing two sessions of recording, just watching zig pound away at the drums, with no other instruments. sometimes i'd play along on a guitar, but the early love one another studio setup did not allow for comfortable headphone placement for the drummer, so we had to make do. and then the whole idea stuck, no more metronomes, and we'd use zig's natural tempo for each song, so that if he lags a bit then the whole song would lag, and if he reaches back to his thrash metal roots and then the whole song would feel a bit faster. that and zig + joey's decision to keep the drum level lower than most albums really makes it sound different. early listening sessions with some friends would often result in a few comments along the lines of "pare ang hina ng drums.." or some variation of that. i didn't get it at first either, but then you get it, and then it's a wow thing. haha.

anyway all the drum parts were done in one take ( ASTIG NO? imagine the monster drumming zig did on patintero/habulan/larong kalye, or the triplet break in the bato outro), and theme song was a particularly difficult one for zig, resulting in the gorgeous AAAAAAAARGH growl at the start of the song. haha. mikey amistoso commented on the not so polished cut of that take, leaving an abrupt end to the growl before the song starts. he kept on saying that that moment was a work of genius, or something like that, like "other bands would have wanted to keep that a clean fade or something" but we just left it like that. haha love one another magic.

the song is full of the kind of recording techniques you google and then decide to try and then i dunno something happens. we used a pignose amplifier, the one with the latch that opens and closes the thing, and we close-miked it with one mic in front and one mic at the back of the speaker (phase inverted) and we had a room mic, and then there was this wide open sounding guitar that we got. i love the sound of the guitar parts in theme song, and the pignose amplifier was one of those important bits that just made everything work (i miss you!)

marco's roland jx3p also played a huge part in this song, adding the disco pad at the ending, the vibe at the disco outro, and the arpeggios in the main song, with that wonderful filter just opening up at the end of every phrase. i dunno why i'm rambling on about how we recorded this song, but i really feel happy when i remember how this song just fell into place. hehe.

at 0:17 into the song, i do a wrong harmony part into the right speaker, and then i laugh, and that bit just whizzed by during all the mixing, we really didn't notice that. and then listening to the mastered tracks on headphones it was all like "OMG WHAT A HAPPY ACCIDENT!" haha i love that part.

the video is also very cool, haha. it features marc inting of twin lobster, doing his best to win the hearts of music video channel viewers everywhere. vote for his band twin lobster in the nu rock awards this year! hehe.



==========================================

jugs of the itchyworms texted me the other day, congratulating us on the cool video, and thanking us for placing their "self-titled" album poster on the wall of our earnest manliligaw protagonist hehe. if you haven't gotten yourself a copy of that album, buy one now, for your own good hehe.

my mom bought a copy of themesongs! she found it at the odyssey branch in alabang town center, and as she was bringing it to the cashier, the saleslady remarks "bakit ang daming bumibili nyan, sino ba sila?" hahaha

AND AND FINALLY, THINGS ARE GETTING EXCITING FOR THE SCARY DEBUT + FANS' DAY ON THE 25TH! LOTS OF SURPRISES TO COME! (pero secret muna para ma-surprise kayo para pati hindi malaos hehehe) 


-owel

Monday, 6 October 2008

Sa pagitan ni Aiza at Aegis

text sa akin ng isang kaibigan ngayong hapon: "Nabili ko ang mailap na nag-iisang kopya ng THEMESONGS sa sm fview, nagtatago sa maraming aegis at aiza"

reply ko naman: "Waahoo! :) sana'y maibigan mo ang aming mga awit tulad ng pagtangkilik ng marami sa 'luha' at 'pagdating ng panahon' :) "    =jing=


Thursday, 25 September 2008

themesongs track 3

"patintero/habulan/larong kalye"

the first of three "epic" tracks that absolutely had to go into the album. it's a sort of trilogy actually, anchoring the beginning middle and end of the whole concept of themesongs, actual theme songs for set occasions in the developments. p/h/lk is early yearning, sms is the middle intense section and bato is heavy endgame. pretty intense stuff to keep in your head, especially while you're recording the album, thinking about how the songs relate to each other and to you specifically and it's just great that it's out and i can stop thinking about it so much haha. it's a love-hate obsession with patintero/habulan/larong kalye.

it is a 3-segment song, during the writing of this thing i was heavily into brian wilson's smile and the fiery furnaces' blueberry boat and the unicorns' who will cut our hair when we're gone and these albums were all full of ADHD i was really into the whole idea of a multi-part song so i was writing with that in mind: first came the habulan section, which i was originally thought would be the opening part, written late 2004.

the patintero segment was written for fete de la musique 2005; i remember very vividly the practice where i was teaching the guys the song and the new segment. it was at the blue room studio along maginhawa, and janji of aizo was hanging out, and i remember being afraid of what he thought about the song and how we were arranging it as a band during the practice haha. i kind of cheated with the segue from patintero to habulan, nicking some manila sound areglos from vst haha.

the larong kalye segment happened naturally, we would just jam an informal outro, and i guess i just started singing on that. the album version of larong kalye was a pretty fun thing to record, all scratch takes and trial runs that joey santos recorded anyway, the relaxed feel owing to the "nah this isn't going onto the record yet.." and i guess that was pretty cool.

another cool thing about the album version are the SYNTH PARTS!!! i was absent when they recorded the synths, and loa engineer marc de vera did his thing, tweaking heidi's cs-10 and layering multiple tracks of the keyboard to give it this really really warm feel. i especially love the habulan chorus part, "kung ika'y aking mahuli.." with the 16 beat hihat, the palm-mute guitar and the surf rock bass, the synth really really really stands out and i love that part so much AAAAAAAAAAaa haha (self-sabunot moment)

the recording of the vocals for this song is also another conversation point. selena is a studio natural, if she's problematic with the harmonies, she'll just take some time to work them out in front of the mic, and usually most things are one-takes with her. but i am the brute force to her finesse, and this song was particularly amazing because joey and marc were engineering and everybody was playing with these ratatouille scratch and sniff cards, and i remember marc was playing with paper and scissors, trying to make paper dolls. so i was doing the vocal take, and usually when i hit a bad note joey or whoever's engineering at the time would stop me and we'll redo from there, and during this song we didn't have one redo (cause i thought i was singing so well haha) then i guess i just sang it all out. if i remember correctly, the whole segment in patintero where it goes "nais kong mahagip.." until the habulan part was kept as one single piece of breathless song-ery haha. only at love one another.

so many things about this song! jing's bass parts, especially in the larong kalye portion. the ROLAND JC-20 we were using to track all the guitar parts, guitar parts shimmery because of it. and all the history!

attached is the old lofiwithlove demo version circa 2005. that's me on everything, in front of a computer.

BILI NA KAYO NG THEMESONGS!!!!!!

-owel

Wednesday, 24 September 2008

themesongs track 2

"masamang damo"

this gaddi-penned masterpiece is all at once the new wave-y post-punky song from the 80's showing jing's age (haha) and the funkiest cut on the album, c/o atty gaddi's groovin' bass parts. i remember playing this for the first time at the UP fair a couple of years back, jing just busting out the song at one of the shirley practices and all of us just falling in love with it. I remember it reminding me of the strokes' someday, i love that song. haha.

fun fact! i wasn't supposed to be the one singing this song, mr. gaddi was supposed to be the one on the mic, and we were maybe toying around with the idea of having joe sing the song. but then this opportunity came knocking, when we entered the world battle of the bands (upon the real christian bautista's suggestion) for the song to be on the radio. we hadn't finished the vocal recording yet, and i think jing couldn't make it, so it was me and selena doing all the singing. i think i did a good job though (hahaha)

the last verse (without lyric) was supposed to contain a jing monologue, some diatribe about how it isn't cool to steal other people's things or some other "crime doesn't pay" thing haha. but again, we were rushing the song, so in place of that i just started grunting, and i remember the loa guys enjoying that. it was a fun bit of cathartic screaming. i was going for a homer simpson on one of the screams haha. fun stuff. and then i dunno, we just decided that the screaming would be a better fit for the song, making it more of a universal "ANGST" song instead of a specific "DO NOT STEAL MY IPOD - jing" song haha.

i super super super love jing's lyric here, the wording is brilliant, and the song is APT haha.

the synths are bastardized from depeche mode (HAHA) for the verses and then we tried to put in some beatlesque organ to cover up jing's rip-off of another shirley song ("i can name that tune in 2 notes..") hahaha. but i swear i swear, the pièce de résistance for masamang damo has to be that killer drum + bass break into the harmonized guitar solo i love that i love that whole thing, i mean wow, we recorded that! it was perfect! haha

starting off with the decay of the chorus organ part, leaving zig and jing and then the "scary keyboard sound" and the big muffed solo guitar, then the "supot" harmony guitar, and it's over like that, and man i wanna hear the song again so i can get to that part again hahaha

sorry that i'm raving about a song on the album we just released but i didn't write it so it's not being boastful, i guess. haha.

BILI NA KAYO NG THEMESONGS!!!!

-owel

Monday, 22 September 2008

themesongs track 1

"kagabi nanaginip si morrissey na may nagmamahal sa kanya"

xmaslights was recorded first, around november of 2006, with this coming a close second. we were going for a "rivermaya covers goldenboy" vibe, with the prominent acoustic guitar and heidi's analog yamaha doing the bleeps in the background. i remember being really unhappy about how it sounded in the early mixes, so we replaced some of the acoustic guitars with electric guitar overdubs. another curious thing about the recording is the chorus guitar part, where the harmony riff is actually more prominent, the live version sounds nothing like it and i love that.

my favorite part in the song though (aside from the alarm clock intro, which totally makes this song work) is the solo in the middle, 1:30 or so into the song. the guitar doing the solo is actually just a scratch track, to be replaced by another electric guitar overdub (possibly with one of our stratocasters, this album was very stratty, featuring my green squier strat and joe's maya and pacifica strats) but then during the mixing, me and joey santos (i love you joey!) couldn't find the actual solo take. i remember him shrugging and saying "ok na naman yung scratch a.." hahahaha i love loa. anyway the super thing about the scratch take that i recorded is that i make a mistake on the second pass, but it sounds like a deliberate variation on the guitar line haha. as mark villena would say: "that's a very human element!"

if you listen closely, there's also a new synth part that comes into the solo, that's from marco harder's roland jx3p, i love how it just blankets the whole thing without being totally overpowering. i really love the sine wave square wave saw wave synth sounds and cheapo drum machine loops, so this song is an exercise in those things, hehe. plus! the early days of ang bandang shirley saw songs written specifically for loops, we just used my old casio tonebank keyboard for all percussive purposes hehe.

the words came after the riff, like most of the songs i write. inspired by the smiths' (duh haha) song of the same title, but i was going for more of a hopeful pov. wrote this around 2003, so this is 18 year old owel talking hahaha.

yehey

-owel

Wednesday, 17 September 2008

matuto ka na maghintay

Hello guys!

It's been a crazy and busy month so i apologize if info regarding our debut album is a little confusing. We're sorry for those who have been pestering record bars and receiving clueless looks from sales people etc. Our album is SEMI-OUT --- meaning the album is available in limited ODYSSEY, ASTROVISION AND SM RECORD BARS FOR NOW. I just got word this afternoon that as per Viva they had  already delivered our cds in Ortigas and Makati areas. So friends, a little more patience is entailed. We promise that before september ends all is smooth and you'll see the album anywhere including FULLY BOOKED (friday daw idedeliver sa kanila). Anyway copies were sold last sunday during our mall show at the SM Mall of Asia (shoutout to Mokay who already bought her copy last sunday!). So i can safely say that our album is also available in MOA.

Anyway while most of you are still waiting for the chance to hear the album in its entirety...here's something to quench your excitement haha our first single off the album titled: "Themesong" should be playing on your favorite radio stations this week so please please please help us spread the love that is ang bandang shirley music by requesting for it. The video will also be soon debuting on MYX and MTV.

alright. seems like. that's all (+/- hehe),
Kathy

p.s. Album Launch on October 25 at Kolektib in Cubao Expo. Details to follow :)

Wednesday, 3 September 2008

ang themesongs... bow!

here's the lowdown:

[1] in the next couple of weeks (a week from now at the earliest), themesongs will be available at odyseey and astrovision outlets. so just keep on hounding those salespersons till they turn purple. also, please let's keep all our fingers crossed that themesongs comes out the soonest possible time.

[2] themesongs can also be acquired at any fully booked outlet -- hopefully also in the next couple of weeks.

[3] when shirley starts gigging again in october (september is a gig hiatus month reserved for band practice), we have a number (as in a limited number) of themesongs cds which we will bringing to gigs for sale. so the next time you watch a shirley gig this october, please feel free to badger us for a cd. we'll more than gladly sell you one.

[4] lastly, themesongs suggested retail price : P300.00

love ya'll,
=jing=

random non-sequitur video of zig dancing and jing bassing:


iba talaga pakiramdam kapag tangan mo na sa iyong mga kamay

Friday, 29 August 2008

blessing from the gods/ pagbati kay pam

parang may blessing from the gods yung set namin kagabi. sabi nga ni owel sobrang tight nung mga kasama naming banda sa lineup (salamat up dharma down, purple chickens, halik ni gringo at ciudad). tas kami hindi kami masyadong nagpractice pero parang ang tight din namin. kami kasi nahuli tas inaantok at pagod na pero ok lang. game na game pa rin naman.


kagabi maraming mga friends at old friends ang pumunta sa attraction reaction tas ang saya saya nung gig. kaya lang pumunta ata sila (lalo na yung old friends) kasi akala nila may ibebenta na kaming themesongs. pasensya na sa mga umasa.

salamat sa mga pumunta at sa mga taong hindi pumupunta sa mga gig masyado (mygee, JOREM LIM, vikki, mimay, shana, at pam). gusto ko pala idedicate yung bato kay pam catameo kahit late na kasi malungkot siya at yung bato parang resignation sa lungkot dahil sa sawing pag-ibig pero ok lang yun kasi nagiging ok naman ang lahat pagkatapos.

Bakit ang bigat bigat
Nitong ating pasan pasan?
Parang nung binubuhat
Natin dati ang gaan gaan

May nagtirik ng pader
Kung saan tayo dumadaan
Tila nawawala
Tila tayo'y nababakuran

May hinihintay akong mangyayari
Tapos sasabog ako
Unti unti na madudurog
Ang puso kong bato…

Bakit ang bigat bigat ng bato?

-ean

Wednesday, 27 August 2008

back to the future

there's this memory of being in baguio, december 2005. a post-christmas trip with the alvero family, i was on a couch under a blanket thinking about the band and how we ended up doing a white stripes (eg: me on guitar and zig on the drums) set cause of unforeseen circumstances, and i was using marco harder's roadtone 335, split to two amps w/ the stereo out of a dd3 that i borrowed, so at least i had some of that going on. i remember playing grand finale, habulan, and a really fast tsuper, it was one of those crash and burn gigs that you remember cause it was horrible and exhilarating at once. anyway i was thinking how "i really thought that was the band," something along the lines of "what do i do now" or "where do all the songs go" and under the blanket on the couch up in baguio i get a text message from mark villena, asking if i would be interested in recording with him, as he needed a band to demo @ his tracks job. i go "that would've been great, but i think we disbanded" or something to that effect, and he goes "e tangina sayang yung mga kanta nyo" which was what i was thinking, and i guess the idea of preserving the songs led to the rizal day sessions, recorded dec 30 of 05.

joe was graveyard shift-ing at a computer zombie job, ean was between a rock and a hard place in terms of band membership + friendships, i was having trouble with school (what's new haha), and zig had other bands and i guess i didn't want to burden him with the idea of finding stability in a lineup when he had a lot of other things on his plate. rizal day was supposed to be a graduation picture of sorts, a "hey we had great songs and a good time," postscript. mark was talking about giving labels a copy cause the material was ace and he believed in it, and that was great, but even getting a skeleton of the band together to record at tracks was difficult, so all the "getting signed" talk felt like delusions of grandeur haha.

things changed with the friendster message exchange with selena, cause i was a fan of her old band and her singing, and i wondered if it could be possible to have her on the ep, singing on habulan. she got to the studio and i was all worried about how our music sounded, cause we weren't that "indie" haha and she came from a scene with well-documented snobbery (not that that's a bad thing) but she sang and it was great, and then the proverbial snowball snowballed when we (mr rabara and mr harder) went to eat at the tapa king near the studio, and upon returning we found attorney gaddi playing bass to the early backing tracks of do you videoke, explaining himself with: "may naisip akong bassline eh.."



2005 saw the release of the fearless freaks documentary on the flaming lips. i was really deep into the yoshimi album then, and i was starting to go through their discography in reverse, liking the soft bulletin, falling in love with transmissions from the satellite heart. and i downloaded this thing, and i was all "yeah that's what i want." there was this chaos to their live sets, like there was early video of them having a motorcycle onstage at a bar, using it as a noise/smoke machine, and then some drunken mistake involving the brake and the throttle in some wrong order got the motorcycle flying off the stage. intense.

flashback to early shirley, keyboard + guitar + vocal shirley, with the first gig at the now defunct fox square club, last song was sampung buwan and ean was on guitar and i left the keyboard loop on and i went to the drums and i was floor tom and crash cymbal machine and i was really really really drunk (red horse was the new water) and i jumped from the drum stool to in front of the drums and i didn't really stick the landing, my shin hit the high tom i think, it's a vague memory. anyway the shin still hurts, haha. i wrote songs as skeletons, excuses for jumping around and being noisy and looking stupid.

somewhere down the line we started getting tight, and the songs got a lot more riffy, and gigs like the one we had last tuesday at guijo are reminders of the old days, back when i used to talk back to the audience (ean naalala mo yung bastos na host sa che dati tas nag-sasakyan kita outro for tsuper haha) and when i could jump like this



or when we were thin like this



man that picture tells so much, joe still had his pacifica, ean still had his butterscotch tele, that was the gig before star wars: episode iii came out, and we had this song written to perform for just that night, dv (darth vader) where there's this pseudo rap thing (i was trying to approximate lcd soundsystem's daft punk is playing at my house) and there's this METAL imperial march interlude haha. that was a fun gig, and we've had a lot of those.

the album's still on it's way (after a couple of years of being on it's way) and there are new hitches (letters of consent and film alignments and size discrepancies and whatever else) and i don't know what to think anymore about that album cause i've been living with those songs for quite a while now, the oldest songs on themesongs come from 2002, the newest one (bato) came from 2006, and between the time of writing and the time of release we've written a ton of stuff. my bandmates are fucking intense songwriters and musicians and COOL people and i feel like that's been a secret for the longest time, and when themesongs finally does come out it'll be like, letting other people in on that secret.

and i miss love one another already, and i can't wait to get into the studio again, and i can't wait to start playing new songs, and i can't wait for everybody to hear the album and attach meanings and feelings to songs that i've attached meanings and feelings to and i can't wait to write about the things on that album and show the documentary to people so that when you have your copy and you're listening to it and you're wondering what that weird sound was or why that happened on that song or how cool this band is, then you can refer to the future post about the music or the documentary so you get your question answered.

-owel

shirley kain mogwai

tulad ng sinabi ni kathyg, MALAPIT NA TALAGA LUMABAS ANG THEMESONGS WAAAHOOOO!!!!! :D at sinabi rin niya na nagphotoshoot ang shirley sa mogwai sa cubaox nung monday and we ate lots of spaghetti, hotdogs, pandesal, and popcorn. isa ito sa mga binunga ng photoshoot na yun:

=jing=


shirley kain mogwai

Tuesday, 26 August 2008

Ilang tulog na lang...

Hi everyone!

First of all:



Yup! ilang tulog na lang talaga...and if the deadline is to be followed: Our freakin' debut album "Themesongs" will be out in the market by the end of this week! woohooo!

Ayun.

And on to related stuff: The band had a photoshoot yesterday hehe. It was fun! and we ate a lot of popcorn and spaghetti and hotdog and pandesal plus we wore red. haha. We'll upload the photos soon. Ang galeng ni Heidi! Many thanks to Black Ink Productions and Nina Torres-Urbino and Mogwai.

Soon: music video for "theme song" hehe.

love, kathy g.

Tuesday, 12 August 2008

finally there is clarity

binigyan ko si chris walla ng copy ng themesongs last night. haha. ang surreal mag-sing-a-long to death cab for cutie for real. si ben gibbard hindi na mukhang indieboy! naalala ko si jing kay nick harmer haha.

love, kathy g.

 

Sunday, 10 August 2008

joe channels emptiness




while we all patiently wait for themesongs to come out, let us pause for a brief moment as we watch joe channel his emptiness. go joe! :D

(taken from shirley-loas sessions 05/16/07)

Saturday, 9 August 2008

it won't be long (yeah!)

at around 1pm yesterday, wifey ava&i drove to sm north to pick up kathy so we could get the newly printed and folded shirley digipaks. upon picking up kathy at the rendezvous point, we immediately proceeded to the printing press somewhere in bago bantay behind sm north. after glossing over the finished product, our excitement levels had tipped off for we knew it wouldn't be long until themesongs will finally be released. after picking up the precious cargo, we drove on down to salcedo village in "where-the-heck-are-we?" makati to deliver the goods to toti d's condo. he'll then bring it to the cd pressers for replication and packaging, and in a couple of weeks, it will really be out.

love y'all!!!! :D

=jing=



Tuesday, 5 August 2008

love one another reminiscing

Our good friend, wonderful colleague, talented musician (and heir apparent to the santos family fortune) JOEY SANTOS of the love one another sound production network has written the best article about our band ever, with mentions of Geoff Emerick, Ean's 21st century crooner voice, and PHYSICAL EMOTION. hahahaha.

read the article at the unjob.

MALAPIT NAAAAAA hahahaha

-owel


Tuesday, 29 July 2008

the band which is

peace to everyone!

when mr. alvero and i played at our first gig 5 yrs ago at the legendary austrialian-owned bar along anonas extension (fox square bar), we only called ourselves "shirley". (without the phrase "ang bandang"). if you read our blog or attend our gigs, you should already know why we chose this name.

we only introduced our band as "ang bandang shirley" near the time mr. rabara was invited to become our permanent drummer back in June 2005.

i wrote this entry so that all of us will use these words correctly. probably, the best way to introduce our band is in filipino because "ang" and "bandang" (which in english are equivalent to "the" and "band which is" respectively) are in filipino.

"palakpakan po natin ang bandang shirley" (clap your hands for the band which is shirley)

please refrain from saying "sila po ang ang bandang shirley". i am quite irritated by the duplication of the word "ang". ("ang-ang" is not really pleasant to the ears).

although it's ok with me if you use "the band which is shirley". i don't know about my other bandmates but mr. alvero and i discussed this already and we both agreed that this should be the correct way of calling our band.

sorry to taglish haters. shirley is an english name and "ang bandang" is in filipino, specifically from the tagalog dialect. so i guess introducing us in taglish would be just fine.

"please clap for ang bandang shirley. mahilig sila mag-eat"


yes boys and girls. i'm bored and irritable. i need a hug. hahaha

peace again to everyone. mwah mwah xoxo hugs hugs

ean

Saturday, 26 July 2008

learning the game

The past few months had me learning a lot of stuff about printing i never knew that one day i will be forced to learn about haha. Masarap na pakiramdam ang sense of fulfillment from doing things on your own even if it's taxing. haha. Eto yan kase kanina i went to the printing company that will print the band's album packaging (design by ms. Pepper Roxas yo!) Explained that we wanted a "back printing" meaning printing ng uncoated side ng foldcote paper for a rough texture so without lamination and then i paid the downpayment. Tas habang sinusulat nun girl yung receipt nangingiti ako mag-isa kase wow ang dami kong natutunan ngayon. haha. Ang weird ko. haha

Anyway what i really wanted to say is this: After i get the digital proof next week tas 10 days tas pressing na tas konting tiis na lang talaga malapit na lumabas yung Themesongs! haha nakakatakot :) 

love, kathy g.

Friday, 11 July 2008

Billy Bragg - Greetings to the New Brunette (Shirley)




Billy Bragg Greetings To The New Brunette (Shirley)

Shirley,
it's quite exciting to be sleeping here in this new room
Shirley,
you're my reason to get out of bed before noon
Shirley,
you know when we sat out on the fire escape talking
Shirley,
what did you say about running before we were walking
Sometimes when we're as close as this
It's like we're in a dream
How can you lie there and think of England
When you don't even know who's in the team
Shirley,
your sexual politics have left me all of a muddle
Shirley,
we are joined in the ideological cuddle
I'm celebrating my love for you
With a pint of beer and a new tattoo
And if you haven't noticed yet
I'm more impressionable when my cement is wet
Politics and pregnancy
Are debated as we empty our glasses
And how I love those evening classes
Shirley,
you really know how to make a young man angry
Shirley,
can we get through the night without mentioning family
The people from your church agree
It's not much of a career
Trying the handles of parked cars
Whoops, there goes another year
Whoops, there goes another pint of beer
Here we are in our summer years
Living on icecream and chocolate kisses
Would the leaves fall from the trees
If I was your old man and you were my missus
Shirley,
give my greetings to the new brunette

Monday, 7 July 2008

'look ma, i'm on tv!'

this morning, i turned on the tv after a round of pilates, resting before breakfast. i was flipping channels lazily when i landed on MTV and saw a very familiar face in profile -- owel! our video, "sa madaling salita" was playing on MTV... and not in the wee hours of the morning, but at prime-time 9AM! woohoo!

so our helpers and edwina and i crowded around the tv, laughing at how fat i was at the beginning of the year (hehehe). there i was, huffing and puffing in earnest, there went heidi with her hands and fingers splayed out like chicken wings, there was ean's "L for love" hand pose at the second chorus...

when the video is finished, mom comes down from upstairs and says, "you looked nice in that video." hahaha i love you, mom.

anyway, just wanted to share how pleasantly surprised i was to see that video on MTV months after we stopped promoting it for Endo. i hope it picks up again, though, cuz our album is almost almost ALMOST there. we have about 10 meters left to the finish line. i think it would help very much if all our friends could take a few minutes out of their schedules to do this simple little ritual i made up and help us visualize our way to an expedited album release:

1. find a quiet corner. sit in it. if you can't find one, imagine a quiet corner inside your mind where you will be able to shut out all unnecessary stimuli. find that corner and sit in it (figuratively speaking).

2. take a few deep breaths until you are very, very, very relaxed. do this until your mind begins to empty itself of all irrelevant thoughts.

3. picture in your mind the faces of each member of ang bandang shirley. allot about 3 seconds for each (making sure to silently add "mississippi" after each number to ensure the correct passage of time). sequence is of no consequence. if you're not sure what the members of ang bandang shirley look like, please refer to the pictures at the top of our multiply site. also, if you'd like, feel free to interchange someone's face with the appropriate approximation (e.g. jing gaddi may be replaced with the image of the bearded viking hat-wearing man on dragonball z; heidi may be replaced with catherine zeta-jones; i may be replaced with tyra banks; and so on...).

4. picture a 5x5.75inch "square" of white light dancing before you and slowly repeat the word "themesongs" over and over again.

5. when you have found this mantra fading away, replace it with "august 2008", again saying it until it fades away.

6. open your eyes. you're done! thanks! we're *this* much closer to getting our album out because of you! :)

- selena

Wednesday, 25 June 2008

renaissance

shirley friends, can i just say na ang GANDA nung self-titled 3rd album ng itchyworms. bili kayo pag makakita kayo ng kopya.

ang galing, kakalabas lang nung bring your friends, tas lumabas ngayon yung self-titled ng worms, tapos nung isang buwan yung helicopter ng pedicab, yung marcus highway, haha ang ganda lahat.

naalala ko yung 2001 na lumabas yung brownbeat allstars debut album, yung unang album ng sago, ng worms, imago. saya nun. tas yung parang comparative na patugtog sa pagitan nung hello mico ng ciudad, pati yung little monsters ng worms, pati yung belated but intense sa wakas ng sugarfree. tas feeling ko this year parang parallel year of intense releases.

seriously, honestly, hindi ko inexpect na magugustuhan ko ng ganito yung bagong album ng worms. i mean paglabas nung noontime show nila na-floor ako, tapos naisip ko pano nila susundan yung album na yun? tas nabalitaan ko na yung sunod nilang album hindi ganun ka ambitious, non-concept songs album lang. nag-uusap kami ng kaibigan ko (hi jaton!) haha tapos in agreement kami na parang pag na-set mo yung bar ng ganun kataas (yung tipong may 12 minute art rock song ka to end your wonderful concept album) di ka na pwede maging ordinary nalang...

pero pucha yung self-titled nila hindi ordinary at all. parang compilation album sya ng concept songs haha. early favorite ang "gusto ko lamang sa buhay" tapos siguro lss ko sya hanggang sa mahanap ko yung next favorite sa album. parang narealize ko din na hindi yung concept ng nts yung strength nya, yung songwriting, kahit medyo disjoint. mas gusto ko yung beer, at buwan, at love team, tapos parang mas malayo sila dun sa "artista" angle, tapos yung self-titled parang puro ganun. omg.

tinext ko si jugs sabi ko parang blue album ng weezer vs the outfield (thanks jing haha). ang ganda gandaaaa.

nainis tuloy ako na hindi pa labas yung shirley album. hahaha. i love you itchyworms!

-owel

Sunday, 15 June 2008

you should

hi shirley blog it's been a while! but forgive me for i shall indulge in a fanatical post not about ang bandang shirley but my other great love that is the band ciudad haha.

but first things first...
reasons why this is not an off-topic shirley blog post:

1) me and owel are oldschool ciudad mailing listers. i somewhat met owel through ciudad's mailing list 7 years ago.
2) jing studied in ateneo highschool just like all the members of ciudad.
3) selena has a friend who had an ex whom the ciudad boys are friends with

haha. W!

sorryy. ok. the reason for this sudden burst of no1fanhood yet again is because i just got my copy of ciudad's new album "bring your friends" last night at route 196 and to quote ean's text message the morning after: "putangina ang ganda ganda ng bring your friends."

yung description ko ng album ganito:

"para kang nagbabasa ng online journal ng matagal mo nang kaibigan na hindi mo na nakakausap ngayon tapos kahit cryptic/vague/hindi mo na kilala yung mga taong kinukwento nya---naiintindihan mo pa din lahat. nakakaconnect ka pa din sa kanya kase nga matagal mo na siyang kaibigan o kaya somehow parang connected pa din kayo kase marerealize mo na both of you are going through the same things and by realizing that everything seems to be less scary because you know you'll be fine eventually."

or

it's a quarter-life crisis soundtrack.

haha.

ang gusto ko lang talaga sabihin eh ang underrrated ng ciudad pero ang galeng-galeng nila talaga eh so for the love of indierock and everything that is worthwhile please check out ciudad's new album "bring your friends" haha its worth your 250 pesos :)

love, kathy g.
 

Thursday, 12 June 2008

independence day

yesterday we had people (hi mikey! hi cholle!) text us that patintero/habulan/larong kalye and tsuper (haha ang haba nung title) were played on jam 88.3.

flashback, to a couple of years ago (2006) fresh from the rizal day sessions ep high. we gave boss toti a copy, and he gave copies to radio stations, for possible airplay. we got played on this wonderful show on NU called radio dredd:school of rock. i'll never forget hearing do you videoke on the radio in all its out of tune singing glory. haha. and jam 88.3 said they'd play us on their independence day opm special.

i wasn't able to monitor the station that year, or last year, but apparently this year we got played on their independence day opm special. haha.

ok yun lang i love you guys. the album is overripe but still sweet. coming soon. :D

-owel

Thursday, 5 June 2008

Album Recommendations By ABS

Hey guys! Two of our friends are coming out with albums!


Ciudad is coming out with their fourth studio album, "Bring Your Friends". We've loved their live renditions for the past year or so, so we can't wait to hear them over our headphones this month! Copies will be available at this month's Attraction! Reaction! at Route 196, Katipunan, Q.C. The band will also be playing that night. Yay!

+++


Photobucket

They're out with a full-length album! P100 gets you a custom-made package, original Twin Lobster "art" (hahaha), and more surprises as well as 16 smokin' tracks of original, imaginative rock. "Hell Is The Place Where Flames Grow" will be available at all their upcoming gigs.

Check them out at http://www.myspace.com/twinlobstermanila. You can message them there for copies of their album. I think they're planning to come up with a PayPal account soon...

- selena

Sunday, 1 June 2008

konti na lang

last may 29 thursday, ean, selena, and i got ourselves lost in makati once more (actually it was just ean and i as selena knows her way around the said city) to go to liquidpost where we were going to listen to the final master of themesongs. mikey amistoso of ciudad did the mastering of themesongs, to which he repeatedly refers to as "album of the year" (naks! palakpak naman mga tenga namin hehehe). after mikey let us hear the adjustments on "sa madaling salita" and  "bato" (to which we approved), we set out to carefully place some sound effects at certain parts of the album as "finishing touches" so to speak. after mikey helped us place said sound effects in the desired positions, we listened to themesongs in its entirety over beers given to us by mikey. it was 37 minutes of pure sonic bliss we can't wait to release.

till then! :D

=jing=

Monday, 12 May 2008

haircuts are all the rage

howdy friends, new people have been adding up the multiply account, welcome welcome!

so anyway, haha

selena has a new candyaudioline throwback do, and singing with her onstage feels like watching her at buzznite except i'm onstage with her haha. i got a haircut, it's a 3rd yr high school throwback haircut and it feels kinda weird, a late rainy summer haircut.

ean has an nbi clearance, an sss number, and a new job! congrats ean!

oh and we have a gig this weekend at bigsky! catch us with ciudad, the lowtechs, the purplechickens, pedicab, dr mindbender, and sleepwalk circus. it's our good friend mei's 2nd birthday party this year haha. we're gonna try to play the whole themesongs album in sequence at that gig, so if you're not doing anything that night, drop by! the gig is for free btw hehe

-owel

Wednesday, 7 May 2008

practice

just got home from shirley practice and shirley dinner, from the good ole mrs rehearsal studio and the ever wonderful tomato kick, respectively.

the practice went well, i guess you can say we were fine-tuning the setlist. specifically, figuring out how best to play the songs we normally don't play live, so that we can pull off the entire themesongs album. an 11 song set. i wasn't timing it, but i think we did that thing in around 30 minutes. i can't wait for the next jam, couple more tweaks to the arrangements should do the trick.

anyway, i was thinking about the songs and why we play the songs we play live, and why we don't play the other songs live, and i guess some songs are funner than others, so that factors into the equation.. but i think the main point is that i used to want our live set to sound like this or that band live, and some of the shirley songs allow for them exciting rakenrol live performances, but most of the songs we write sound nothing like exciting rakenrol. i mean we can rock out all we want, but there are some things you have to finesse, some things you have to just papapa and doodoodoo away.

it's a coming to terms with the identity crisis that creeps up on you when you straddle genres. listening to the album (IT'S GONNA COME OUT SOON PROMISE ) and the results of the practice earlier tonight at mrs makes me all kinds of excited and hopeful, that maybe we found this nice balance somewhere. gotta make kevin drew proud.

PS. dj dolla bill ($$$) had dinner with the shirley gang and he asked about our combined weight! the attorney whips out his celphone to perform the necessary calculations, and after the grueling task of estimating the weight of those not present at the dinner, atty gaddi drops a bomb: we're 1,500 lbs, give or take 50lbs. hahaha. (to ean: nag-google ako, a metric ton is 1000kg, not 1000lbs, so we aren't a ton yet haha di ko alam kung matutuwa ako o malulungkot. love you!)

-owel