Thursday, 9 October 2008

themesongs track 4

"theme song"

the track opens with a very frustrated zig drumming the ending of the song and then making a mistake and throwing his sticks angrily hahaha. see, themesongs was made differently from most albums (im guessing normal bands use metronomes hehe) because we didn't use any metronomes for the album, all the drums were recorded from zig's memory. honestly that was an amazing two sessions of recording, just watching zig pound away at the drums, with no other instruments. sometimes i'd play along on a guitar, but the early love one another studio setup did not allow for comfortable headphone placement for the drummer, so we had to make do. and then the whole idea stuck, no more metronomes, and we'd use zig's natural tempo for each song, so that if he lags a bit then the whole song would lag, and if he reaches back to his thrash metal roots and then the whole song would feel a bit faster. that and zig + joey's decision to keep the drum level lower than most albums really makes it sound different. early listening sessions with some friends would often result in a few comments along the lines of "pare ang hina ng drums.." or some variation of that. i didn't get it at first either, but then you get it, and then it's a wow thing. haha.

anyway all the drum parts were done in one take ( ASTIG NO? imagine the monster drumming zig did on patintero/habulan/larong kalye, or the triplet break in the bato outro), and theme song was a particularly difficult one for zig, resulting in the gorgeous AAAAAAAARGH growl at the start of the song. haha. mikey amistoso commented on the not so polished cut of that take, leaving an abrupt end to the growl before the song starts. he kept on saying that that moment was a work of genius, or something like that, like "other bands would have wanted to keep that a clean fade or something" but we just left it like that. haha love one another magic.

the song is full of the kind of recording techniques you google and then decide to try and then i dunno something happens. we used a pignose amplifier, the one with the latch that opens and closes the thing, and we close-miked it with one mic in front and one mic at the back of the speaker (phase inverted) and we had a room mic, and then there was this wide open sounding guitar that we got. i love the sound of the guitar parts in theme song, and the pignose amplifier was one of those important bits that just made everything work (i miss you!)

marco's roland jx3p also played a huge part in this song, adding the disco pad at the ending, the vibe at the disco outro, and the arpeggios in the main song, with that wonderful filter just opening up at the end of every phrase. i dunno why i'm rambling on about how we recorded this song, but i really feel happy when i remember how this song just fell into place. hehe.

at 0:17 into the song, i do a wrong harmony part into the right speaker, and then i laugh, and that bit just whizzed by during all the mixing, we really didn't notice that. and then listening to the mastered tracks on headphones it was all like "OMG WHAT A HAPPY ACCIDENT!" haha i love that part.

the video is also very cool, haha. it features marc inting of twin lobster, doing his best to win the hearts of music video channel viewers everywhere. vote for his band twin lobster in the nu rock awards this year! hehe.



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jugs of the itchyworms texted me the other day, congratulating us on the cool video, and thanking us for placing their "self-titled" album poster on the wall of our earnest manliligaw protagonist hehe. if you haven't gotten yourself a copy of that album, buy one now, for your own good hehe.

my mom bought a copy of themesongs! she found it at the odyssey branch in alabang town center, and as she was bringing it to the cashier, the saleslady remarks "bakit ang daming bumibili nyan, sino ba sila?" hahaha

AND AND FINALLY, THINGS ARE GETTING EXCITING FOR THE SCARY DEBUT + FANS' DAY ON THE 25TH! LOTS OF SURPRISES TO COME! (pero secret muna para ma-surprise kayo para pati hindi malaos hehehe) 


-owel

15 comments:

  1. troy tugtog kami sa sda caf oct 24 hehehe punta ka! i miss you haha -owel

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  2. ngaoyn ko lang napanood!! wala kasing youtube so office. pero bat si owel ang nagbebass at si jing nagigitara? -danj0

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  3. easter egg, yung mga totoong fans mapapansin nila hehehe. hi danjo - owel

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  4. hahahaha. hello din! "SINO BA SILA?" AMPF

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  5. hi danj0! :D the reason being owel's yellow banana guitar goes sooooo well with my shirt hahahahaha :)

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  6. my early recollections of "theme song" date back to the rizal day sessions in december 2005. before i got into shirley, mark villena, my former tungaw bandmate and tracks studio engineer who recorded the early version, made me listen to the rough mixes. at the very least, i was blown away by the songs i heard. "tsuper" and "habulan" became instant faves, plus "do you videoke" (where i played bass fortuitously, but that's a different story altogether) was the perfect closer for the four-song ep. but for me, "theme song" was the centerpiece of that ep. at that point, it was the most perfect pop song i have heard in a loooooooong time -- lyricwise and musicwise, plus that looping harmonized guitar riff in the verse just won't quit! when owel asked me to play bass for shirley, it was the very first song i learned the bass parts of. although i love the funky chorus riff, it's the simple, subtle verse parts which i really love. actually, it's quite tricky to play because in between the C# and Bb verse chords, i surreptitiously placed an Eb in between as a transition. now i'm not sure with ean (who played bass on the ep version of theme song) if he placed that Eb in between the C# and Bb, but when i was figuring it out it just seemed soooooo natural to place that Eb as a subtle transition. it so reminded me of sting's playing in "every breath you take" where he placed a similar transition note, a C, in between the D and A chords of the chorus ("oh can't you see...").

    when playing "theme song" live, i sometimes vary my playing by removing the Eb transition note during the second verse. one more thing i really love about this song was when we arranged it for the album, owel thought of putting a drumless chorus in the beginning. that was pure genius. that got me to think of bass parts to go with the gently strummed guitar parts. hence, i pulled out my double stops on bass. double stops are kinda like broken chords -- two notes (thus "double") played together to simulate a chord on bass. for that intro passage, i played a combination of thirds, fourths, and fifths which i gently strummed with my thumb.

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  7. ang ganda na nung take nun eh, perfect na.sarap ng groove, swabe tempo. tas biglang nung huling section dumulas yung stick ko. yung sigaw na yun ay ang tunog ng matinding frustration hahaha. pero okay din yung na-keep na take.

    kaya drummer kids, pag pasmado kayo, laging magdala ng twalya.

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  8. Oi, it's great to hear that you were able to use the synth - buti na lang nagawai tayo ng pier nun pare hehehehe

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  9. actually mas gusto ko yung keeper take, kasi nandun yung syncopated na pasok dun sa 2nd part ng outro, yung sobrang weird placement nung unang snare hit. ang ganda nun heheh -owel

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  10. nagulat nga ako nung natapos yung ep version nung song may lyrics na. haha tas walang kinalaman sa pingpong! hahaha

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  11. i can't imagine it ever being about pingpong wahaha. tas ang cool ng "sino ba sila" whoaaaaa.

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  12. hahaha. hindi sya tungkol sa pingpong dati ano ba, yung pingpong (o more specifically, yung spin nung bola) yung ginamit ko na metaphor. haha pero hindi sya "hit single material" nun as per mark villena haha.

    http://tinyurl.com/4gs9pj <-- roger federer as religious experience, sinulat ni david foster wallace nung 06. topspin hehe.

    -owel

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  13. how technical, attorney. hehe -owel

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  14. gusto ko pa nga sana gawan ng diagrams yung double stops ko, pero inantok na ko kagabi hahahahaha

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