i think owel had a clear vision even then that he wanted shirley to go far, but most of us were going about this recording thing tentatively. he had a riff, though, and we all fell in love with it immediately when he played it for us during practice. we jammed some more to get the drum tracks pat, but it was still largely unfinished and the deadline was looming.
then there was the problem of finding the right recording studio. although most of us had day jobs, almost half were still studying, so we didn't have much of a budget. up dharma down's bassist, paul yap, recommended the fledgling Love One Another Studio, run by boy elroy guitarist joey santos. we decided to check them out and found instant chemistry with the studio's staff (plus, the name is just so shirley).
so zig puts his amazing drum skills to work, to which jing adds a perfect bass line, then owel lays in the guitars and that lovely, lovely riff. earlier, we'd all agreed that we didn't want to do a straightforward Christmas track. so owel penned a few sad lines, injecting some subtle verbal hints of Christmas ("disyembre", "regalo" and "kumukutikutitap") here and there -- and we had our Christmas track for all seasons!
the song was mostly constructed in the studio, adding the elements one by one. i remember one recording session where heidi was adding her synth parts and there was this one particular note that underwent a particular effect that sounded borderline noisy but just perfectly capped off the bridge part ("itong regalong bubuksaaaaan" TWENNGGGG!). we didn't have the melody until it was time for us to lay in the vocal parts, and i was quaking in my shoes for the dreaded moment when i'd have to sing because i had no idea how to make melodies. this sounds stupid, since i'd done okay in the four months or so since i'd officially joined shirley, but we had existing melodies for those songs to which i only had to listen a few times before i could add my harmonies. the process for "xmas lights", on the other hand, was entirely new and frightening for me.
at the time, i was scared that owel would one day find a reason to kick me out of the band since backup singers have always been found throughout history to be dispensible. so i told myself before my vocal take, "suck it in, selena. it's make or break time," and steeled myself for the recording process. but joey and owel were very supportive when it was my turn to sing, and they never tired of giving me time to practice my harmonies, repeating the track whenever i felt like i hadn't gotten it yet, so that it ended up being an effortless session after all. owel was pleased, and i was amazed to discover that i could actually be musically creative.
after recording the song, we realized that we had enjoyed working with Love One Another so much that we wanted to continue working with them and we resolved to start making our first full-length album ASAP.
shirley during mixing of 'xmas lights', november '06jam 88.3 accepted "xmas lights" and included it in their compilation, as well as played the track during the christmas season of 2006. but shirley friends continue to request the song even during the rest of the year, so i guess it was able to transcend owel's description of it at gigs, "a seasonal longing song reminiscent of 'pasko na sinta ko'."
- selena
